- Before you start, make sure that you follow this guide at an even time: Wait until it’s half three, or eight, or maybe quarter to ten.
- Stand in front of your desk. Look at it with a judging eye, and after a few seconds, throw away everything you don’t need. Put all open letters and documents in their respective folders and drawers.
- Then, look at what’s left: Everything irrelevant gone? Start spreading out all remaining objects evenly on the table; as if their position needed to balance out the tabletop. Afterwards, adjust all objects to a specific angle.
- Sit down in front of your neatly arranged desk. Look at your computer, take a deep breath, and switch it on. After the operating system is accessible, navigate to Finder → View → Show View Options. This opens a narrow, floating window with settings.
- For icon size, chose 16 × 16. Select the maximum grid size, and for the label position, select “right”.
- Close the little floating window, then close your laptop. Take a deep breath, and lastly, close your eyes.
A book I always like to give away as a present is Miranda July’s first collection of short stories, “No one belongs here more than you”. They are all brilliant, weird, and heart-shaking in their own way. You can’t really go wrong with it, there is something for everyone in it, and it always tells you something new.
With July’s first novel, “The First Bad Man”, it’s a little different. Even though it says on the back cover that I need to buy this twice and give one to a friend, I hesitated to do so. Don’t get me wrong: I enjoyed reading it, and there were many scenes and ideas I really liked: The Globus Hystericus for example, which appears to be the narrator’s main concern at first. Her visits to the doctor weave a beautiful and sad connection between the characters, and strain a golden thread throughout the book. Miranda July has great talent to subtly create scenes and spaces—I immediately felt as a neighbor or observer, hanging around somewhere in the vast, sunny and empty streets of Los Angeles. In a way, the whole story felt a bit like a rumor being spread in the neighborhood—a rumor about this really strange person and her gardener, a story about violence, unrequited love and parenthood.
Before thinking about giving this novel away as a present, I do recommend to read it for yourself first. It’s not for everyone. Also: The german title is “Der erste fiese Typ”, and this just sounds so wrong and absolutely not how Miranda July would speak; you should read it in english if you can.
For the book launch, Miranda created an online store where she sold artefacts that make an appearance in the book. A broken vase, a long dress with many buttons, a spoon or an old envelope—by now it’s all sold. July always adds a layer to everything. I still love that about her.
Read also: My book review on Fridolin Schley’s “Wildes, Schönes Tier” (german)
Vielleicht aus einer romantischen Vorstellung heraus habe ich es mir immer wichtig und nützlich vorgestellt, Dinge mit einer Schieblehre zu vermessen.
Schließlich schenkten mir meine Eltern eine zu Weihnachten – edel verpackt, eingebettet in ein samtenes Schutzköfferchen, mit digitaler Maßanzeige – ein wunderbares Geschenk. Pappkarton konnte bis auf mehrere Nachkommastellen millimetergenau bemessen werden.
Das war 2011. Seit vier Jahren liegt die digitale Schieblehre unberührt in meinem Schreibtischcontainer. Oder in der Werkzeugschublade? Ich bin mir gerade gar nicht sicher. Aber sie ist definitiv griff- und einsatzbereit, falls doch einmal etwas schieblehrengenau geprüft werden muss.
I’m walking through Hackney with Jack, it’s around 11pm. We just bought some ice cream and are going to watch an episode of RuPaul’s Drag Race at his place, when I found a penny on the street. I don’t like english money; they coins are heavy and their sizes are weird.
Jack hums, Find a penny, pick it up, all day long you’ll have good luck. But really, I’m not going to pick up this penny, it’s almost 12, the day is over already anyway, there is just no point.
I’m currently spending two weeks at the Trinity Laban Conservatoire of Music and Dance in London to attend their Dance Summer School programme. I do ballet, contemporary and choreography. Last week we filmed some of our work, and I saw myself dancing for the first time. It’s hard and unpleasant, but it’s the best way to learn and improve.