Some moving images from 2016. It’s Moving Underneath Me.
It’s 9.30 am. I am carrying my transparent plastic bag filled with a laptop, some pens and a book through the library. This place is quite ugly from the outside, but inside, it somehow works. A light-filled atrium connects the sounds of the entry hall with the desk areas and bookshelves. The noise level in here is perfect—not too quiet; you still allow yourself to breathe, and not loud; enabling the perfect concentration mode. I put my coat, my bag and my phone (necessary!) into the locker, stuff a coffee and a doughnut in my face, and find myself a desk.
It’s basically a time machine back into 2013, when I spent most of January in this building to finish my bachelor thesis. The audience is a wild mix of art and engineering students, and they all appear to be very focussed and smart. I like to make myself comfortable on the fourth floor, between the sheet music and the multi-media library. From here, I can watch November’s rain, finish some books and finally try to focus on studying. I really do try, at least.
However, I also allow myself to drift off from time to time, from link to link, book to book. In October, I briefly mentioned Design Fiction. In class, we talked about this amazing project by the Extrapolation Factory, called 99¢ Futures. It was a pop-up store which, for one day, sold various items from the future, like a Mars Survival Kit, void refills, or an “instant full university degree while you sleep”. I might want that one. Even more design fiction can be found in Mark Dudliks essay “Speculations From Tomorrow”, where he explores the narrative of the Netflix series Black Mirror, for example, or Spike Jonze’s movie Her (remember Scarlet’s alluring Samantha voice?).
Less fictional, more scary: Adobe recently presented a tool dubbed “Photoshop for Audio”. From a 20-minute voice sample, it lets you manipulate existing and create totally new audio snippets—allowing people to put basically any word into any persons mouth. While it does sound like a disaster, regarding the current mistrust in media and algorithms, it really is what we have already gotten terribly used to with image manipulation.
Further digression: My friend Caitlin is an awesome person and writer. Need proof? Read her article about womanhood (is that a word?). Anyway, it’s relevant.
I am not very up to date when it comes to trending topics and memes, but some fragments of the #mannequinchallenge slipped through to my phone. This one won.
This last day of November is my 25th birthday. And of course, I found myself thinking: “25 is basically 30, and 30 is close to 40, and 40 means full grown-up-status, and what else is supposed to come after that?” What a stupid chain of thought. However, it reminded me of Miranda July’s movie “The Future”, where a couple wants to adopt a cat, and suddenly has very similar thoughts. They turn off the internet, start volunteering, loose each other, and everything falls apart.
I don’t think thats going to happen to me though. I’ll hide here in the library, with some doughnuts and coffee, and if I stare at this open Pages document for long enough, it might start filling itself. Fingers crossed. Enjoy December.
The train takes approximately 1.5 hours to get me to Potsdam. I will be studying there for the next one or two years. On my way, I pass through Grunewald, which is really one giant cloud of golden leaves right now, and lots of lakes. Berlin is very watery, and Potsdam is very tidy. However, the first two weeks of University left my mind in a very untidy state. So much input! Here are just two fragments of things I stumbled upon:
I read about the PIBA-DIBA proposal, for example: A guidance to blend the Digital with the Physical (paper here). It basically gives two lists to designers, based on: „Physical Is Better At“ vs. „Digital Is Better At“, with the intention to direct the designer’s focus to beneficial aspects of using digital vs. physical objects. Another interesting topic I stepped into was the design methodology of „Design Fiction“. In this essay, Julian Bleeker explains how science fiction is a powerful way of innovating and pushing ideas to a wider audience (you all remember the crazy interfaces in Minority Report, and how fragments of them slowly drip into our lives, and how their designer John Underkoffler actually made them reality).
My Dropbox is filled with PDFs, TED talks, and about 100 links to Google Scholar papers. What I find hard is to manage all this input. I have the feeling that I forgot how to learn. And I am not talking about this new kind of learning; interactive and revolutionized methods leading to epiphanies, adaptable to the “real world”. I am talking about learning in its purest, dullest format: sitting at a desk, my nose and eyes buried in books, folders and my laptop, with blue ink stains on my lips from chewing on my pen (gross). Obviously this is due to my broken attention span (on that note, I enjoyed Douglas Forsters thoughts on How to Rebuild an Attention Span), and my three-year-pause of being a student.
With the luxury of my planned studies, I got to think about my desk and learning setup a little more the past month. While I find it okay to read on my tablet on the train or sit in our University’s very nice and quiet library, I really cherish my own home office. Or maybe I’d like to call it “my study” from now on. It’s a place to really sit down and focus, surround myself with paper and technology, and get lost in this area for a little while. It just never feels unproductive.
With the setup of a proper working environment, I found myself curious and critical over the latest release of Apple’s new MacBook Pro and the Microsoft Surface Studio. Both being doubtlessly powerful machines, their hardware design is lacking character. I really have a thing for outdated technology, and every time I watch old TV series where someone self-importantly hacks into an iMac G3 “for homework”, I feel all fuzzy and nostalgic. The site Starring At The Computer provides a ridiculously large collection of computer appearances on TV and in movies.
Also in October:
A — Rixdorf, the historic town center of Neukölln, and I finally became reconciled. I used to hate Neukölln in the dark autumn and winter months, but the area around here got so much nicer. There is a real bakery, a book store, and I even visit the bar around the corner from time to time.
B — While I try to get used to academic writing (I took a crash course at University, and am reading much more academic papers), I also felt like not writing like a robot from time to time. A reminder in my phone pushes me for one diary entry per day. I don’t always do it, but I do it more often now, which is very soul-cleansing™.
C — Other than that: It just started raining, and I was so so so motivated to go out for some physical activity this evening. But ok. I might just stay at home, in my study, and watch the outside slowly turning into winter. Have a great start into November!
Sign up to this kind of writing via my e-mail newsletter here: Christel’s Corner on Tinyletter. ✨
I once saw a video tutorial on YouTube about the correct way to eat oranges. Oranges are a weird fruit: More palatable than lemons; they actually work as a normal fruit snack; however, they are really tricky to prepare. According to the video, one needs to place the ripe fruit between both hands, and then start rolling it around the palms—gently, but not too gently. The rolling movement is supposed to detach the outer, inedible skin from the refreshing, juicy pulp. After a couple of minutes, one can dent a fingernail into the fruit’s detached skin and begin peeling off the hard, resistive layer. This should be easy now, and if you’re a pro, you can remove the skin in one piece. Afterwards, the fruit is demountable like a tangerine, and ready to be enjoyed.
Well. I never do it like that. I usually take a sharp knife, slice the orange in bite-sized portions, position myself over the sink (make sure I’m alone first), then start sucking and biting the slice until only the bitter skin is left. I open the bin drawer and throw the remains away. After that, I take some minutes to peel left-over fruit particles from between my teeth with my tongue. So refreshing!
With the cobbled part of the street, I slow down a bit. I take notice of the old houses and small byroads, dipped in the blue hour of the evening, and I glance into a warmly lit restaurant window. It’s empty, there is only one person inside, close to the window. The man isn’t reading, he’s not looking outside, he’s not really looking anywhere at all. It was a very calm moment, and in the next one, I got shaken up by the cobble stones again. I cycled on, and asked myself: Was he lonely, maybe?
For its larger part, September was spent in Augsburg, my parent’s home town. I wanted to take a break from Berlin, get some work done, and use my newly gained freedom to read, learn to cook (haha, yeah, no) and fill my sketchbook. There are only a couple of friends left in the town where I grew up. But when I meet them, it’s doesn’t feel like we live 600 kilometers apart. My friend Viktoria asked me if I would still fill those black notebooks with snippets, poems and drawings, as I used to in school. I loved carrying the small Moleskine books with me, and really put effort into the “ideas”, as I used to call the filled pages.
Unfortunately, I had to disappoint Viktoria. Since I started studying design, my patience with notebooks got close to zero. My handwriting is poor, it feels like my drawing skills didn’t improve over the years, and I just don’t take the time to go through printed magazines and cut out the things I like or find funny anymore. Now that creativity is “work” for me, the simple art of Scrapbooking feels dilettante. And I don’t like that. Remixing, editing and sorting the things you stumble upon is an integral part of the creative mind. I can still remember a lot of pages from all the old black books I filled, just because it took time and effort, and was actually fun to do. It was more than just a notebook with sloppy handwriting and messy sketches for sketches.
However – I didn’t manage to draw a lot. I watched some video tutorials on water colors after I visited my grandfather, wo enjoys doing it, but I wasn’t very successful or determined. With my return to Berlin, I stumbled back into reality. Even though the city is so much bigger and wide-spread, it’s also so much stronger connected. Everything is wired up and constantly buzzing. Next week, I’ll have my introduction day at University, and I am excited! It’s probably just me who’s buzzing, to be honest.
Things that caught my attention:
Rebecca Solnit on being a writer: “Find your metaphors where no one is looking.” I should read some more classic literature.
On the other hand, I enjoy delving through Gregor Weichbrodt’s corpus of work. He explores conceptual digital literature, for example with his Dictionary of non-notable Artists, or BÆBEL, a mash-up of IKEA furniture-assembly instructions.
A thought: Instead of in the woods, we’re getting lost on the internet.
Take some time to go to the woods though; autumn is amazing these days. Go with a friend, or maybe take some time for yourself to do so. Solitude is not loneliness, and it can be quite relaxing. Enjoy October!
Enjoyed this oddly arranged collection of words? You can sign up to my e-mail newsletter here: Christel’s Corner on Tinyletter. ✨
For the time after my last day at work (I quit my job mid-August), I had a list prepared. I wrote down stuff that needed to be done for a long time, such as fixing the shelf in the kitchen, getting a new passport, or cleaning the windows. It also featured fun things like museums I’ve always wanted to go to, people I haven’t seen in a while, movies I wanted to watch.
August is over now, and I’ve been out of the day job for about three weeks. No surprise: I haven’t crossed-off a single item on the aforementioned list. Instead, my days were spent with the following: Waiting for the letter of acceptance for the master’s program I applied for (which I got today, finally!). Taking pictures of people taking pictures (they usually pose in an equally majestic way as the statue they’re photographing). I walked through Prague, wondering if I would find all the old buildings more interesting if there were some new ones in between. And while watching Stranger Things, I really wished it was set in the 90s rather than the 80s, just for a stylistic change. I enjoyed the series, but the 80s-aesthetics-card has been played way too often already. I could handle some flared pants, lava lamps and leather coats by now. (Ok, maybe no flared pants.)
I visited Vienna, and fell in love with the city. We spent a lot of time in those typical coffeehouses; places you can hardly find in Germany anymore: Old wooden furniture, piano music; everything smells as if you could write great novels in here. Also, I don’t have a lot of friends who enjoy wasting time in coffeehouses as much as I do. We get used to positive habits about the people close to us; we take them as a luxury that we don’t want to miss in future relationships. That’s why finding the right friends is hard, sometimes.
Other notes noticed:
1) The current run on the mattress market by startups [sic!] is insane. Every month, there is a new company trying to revolutionize the way we buy mattresses (quick reminder that one should switch their mattress every 10 to 12 years). I appreciate it, because I appreciate sleep. In his Aeon essay “Falling For Sleep”, Rubin Naiman explores how our perception and appreciation of it changed.
2) Ever wondered why dumb people seem so confident? Ever felt really unsure, even though you’re usually a smart person? It’s called Dunning-Kruger effect, and describes the cognitive bias of illusory superiority.
3) Park benches are a better memorial than tombstones.
4) I wonder: Is there a sign that things are not quite right? Symbols from movies (a flickering light in the dark street, a black cat running across it) evoke so. So vice versa, what are the signs that everything is quite alright at the moment? It feels so, anyway. August brought summer back, I went swimming in a lake for the first time this year, and I’m ready for autumn now. September, make me tick some more things that are not on the list.
Enjoyed this oddly arranged collection of words? You can sign up to my e-mail newsletter here: Christel’s Corner on Tinyletter. ✨
It’s a rainy Sunday evening, and this weekend is the second one in a row which I enjoy in solitude and stimulating aimlessness — eating food, going out for coffee, catching some Pokémon, meeting friends I don’t see enough. We probably won’t get a cloud-free, diaphoretic summer this year, but you know what? That’s fine.
I saw them standing in small groups on sidewalks and in parks this month: Young people catching Pokémon, everywhere. When I finally tried the app and walked around my neighborhood, I was approached by a young boy on his bike, opening with the common question “Ey! You play Pokémon Go, too?” I took the chance and asked him about all the rules, which I still don’t fully understand (Make use of the stardust! Walk two more kilometers to hatch this egg!), but it was a nice encounter—which I probably would never have had without the game.
I remember being obsessed with those Pocket Monsters in the early 2000s. I spent all my money on the playing cards. My main interest wasn’t the game itself, I also never owned a Game Boy; I was more into the character design (subconsciously, I assume, but still). The original 151 Pokémon were all drawn by Ken Sugimori, and I still can draw some of them from my muscle memory. Unfortunately, this whole Anime thing was quite big when I was child, and I am not able to fully erase it from my style of drawing.
Change of scene: In the beginning of August, I will have my last days as a full-time employee at Edenspiekermann. After three years, I am saying Goodbye to an awesome agency and crowd, where I learned and grew enormously. This place made me a better designer, team player and communicator. I am moving on to work more freely on design projects, and to go more into design and technology research. When I applied at the university for a masters program, I realized that I haven’t had the feeling that something really counts for me for a while. I always took work very seriously, but it was never so close to me personally. With my application, this was different.
Applying for a master’s program required a proposal for a research topic. When we—I together with 12 other applicants—presented our ideas, we all got the same feedback. “This is too abstract! You are designers, bring your thoughts into shape! Design [Gestaltung] is always a direct artifact!” I am not sure if I agree with this statement of the professor fully, but it sparked an interesting thought: Most sciences, most abstract research, most ludicrous studies are based on very basic, almost mundane practices. To be a surgeon, you must likely cut open a human. To be a sexual therapist, you most likely must have sex. To be a designer, you have to create something. This thought makes me calm and motivated for my next chapter.
One other thing I found out in July: While we spoke of childhood memories before—do you remember Nelly’s and Kelly Rowland’s musical fling “Dilemma” from 2002? I never realized that in the music video, Kelly tries to text Nelly on her Nokia 9210 – by using Microsoft Excel (YouTube link). I love this ragged and faulty use of technology on TV. It reminded me of the awesome Source Code in TV and Films tumblr, which analyzes the code’s actual meaning.
On that note, I’ll leave you to a good start into August. It’s the last proper summer month, so make it count: Cycle the city, try stand-up paddling, eat cucumber ice-cream, visit the outdoor cinema, make your own lemonade, and—thank god this trend is back—wear shorts and socks in sandals.
By the way: If you enjoy these monthly ramblings, you can sign up to my e-mail newsletter here: Christel’s Corner on Tinyletter. ✨