Since I started cycling to work, my phone usage has gone down about one hour per day. In March, I spent over a full day—roughly 26 hours—on trains. That gave me the chance to catch up on some podcasts and articles I saved within the last weeks.
In context of the Apple/FBI lawsuit, I really enjoyed this story by Loney Abrams called “Larping off the grid”. Set in 2020, where wearable devices are mandatory for every citizen, she explores the idea of disconnecting yourself from constant connection. While just a couple of days ago the FBI claimed to have hacked a terrorist’s locked iPhone (after fighting Apple who refused to create a back door to access the data), the story considers the necessity of hacking yourself OUT of technology, rather than IN to it. Which, I think, is an interesting idea, and I can relate to it: Who doesn’t know the urge of setting the phone to flight mode and hide it in the drawer for a couple of hours, just for some peace and quiet?
Technology is so weird: We created something that stands in a constantly oscillating relation to ourselves. My friend’s parents bought a robotic vacuum cleaner. When I joined them at the dinner table, they were talking about it, about it’s efficiency and noise, how it knows where the stairs are, and how it makes the edges of the carpet uneven. As I missed the beginning of the conversation, I did not realize immediately that we were talking about a machine, not a human.
Later this month: Over easter, I visited my parents in Augsburg. Seven years ago, I could not wait to leave it behind me, but now, with a certain distance (and my parent’s new flat much closer to the city center!), I can see it’s beauty. Augsburg is known for the Fuggerei, the world’s oldest social housing complex, located right in the middle of the old city. People still live there, for 88 cents rent per year, with the requirement to be catholic and to pray three times a day.
When we visited the Fugger chapel close to the amazing weekly market, I noticed the beautiful walls made out of some sort of “faux marble”. Created with the Scagliola technique, a mixture of minerals, glue and pigments, it features vivid patterns and a shiny surface. The creation process makes the material much more precious than real marble, and that alone is a reason to love it.
I started being more cautious when it comes to surfaces and materials. Working in the digital field, my main fabric are pixels, and there’s not much variety to them. Getting inspired by textures from fashion, paper (remember the paper grain web design trend a couple of years ago?!), and nature helps refreshing the eyes. Nature always helps. Spring is here. Happy April!
It’s February 29, shortly after 11pm. I’m sitting in Berlin Prenzlauer Berg, on an old but comfortable IKEA sofa. This day was a rare one. I hope you made it count!
So. February. I changed my phone’s passcode in the beginning of this month. I’ve had the same four-digit-code for at least four years, and as my phone does not support any form of biometric identification, I need to keep typing that code to access my device. What I was not aware of though was the strength with which this code had been woven into my muscle memory. After 29 days, and over hundreds of unlocks, my thumb still is not quite able to perform the new numeric array. The struggle is real!
Sticking with phones (topic-wise): The new qz app got quite some attention in our office slack and in my twitter stream. Basically, it’s a robot that texts you the news. In a messenger-like interface, it provides short bits of information, and offers either questions to learn more on the topic, a link for further reading, or another piece of content. While the tone of voice is friendly and human-like, I only used it once for curiosity reasons, and never again.
What I started using more during the last month was Snapchat. We all struggled in wrapping our head around the confusing, basically also non-existing interface (swipe here, tap there, accidentally send an ugly selfie to a stranger and close the app in frustration), but I started liking it after a while. It’s nice to get so close to people’s lives, almost observing them, letting them carry you around their everyday life through the phone’s front-camera. While there are some really good snapchatters like my friend Eva (? hurraeva) or Cecilia (? motionandgrowth), who only use it when they actually have a relevant story to tell, it’s mainly a channel for nonsense and gibberish, which, honestly, is quite nice after a long day of work. Let the others do the talking. ? christowski1 (lamest nick name in the history of nick names.)
His death earlier this month truly saddened me. I have been in awe of his work ever since I started writing; his way of telling stories and embracing life‘s oddities has been a true inspiration during my last ten years (I wrote about one of his readings nine years ago on this blog). When he passed away, so many beautiful, admiring and sad articles had been published, and they got me thinking: How do we appreaciate someone’s existance while they are still with us, without being overly emotional or pathetic? How do we let them know we appreciate the work they do, and the time they share with us? I find that hard sometimes, oftentimes.
Roger Willemsen wrote a quarterly column called Willemsens Jahreszeiten in ZEIT Magazin. Here’s the archive. Even though there won’t be a new column this spring, we have one thing to look forward to in March: Daylight saving time. “Es wird Frühling!”
One of the hardest months of the year is coming to an end. The darkness of winter is eating me up, I want to hide inside and just wait till it’s over. Neukölln is not a pleasurable place to be during the winter months – I hate spending time outside after 5pm, which leads to a lot of home office days and me temporarily moving to my friend’s home in Prenzlauer Berg.
Something that helped my dark mood and misanthropy: Avoiding public transport. I stepped up the cycling game, buying thermal underwear, rain clothes, and made a DIY ass-saver (who would buy a bicycle without mud guards?!). When it was -10°C, my most important purchase was a pair of really expensive Roeckl gloves, which I lost one week later. By then, January was well-disposed; temperatures almost spring-like.
Also purchased were too many books this month: Brian Christian’s The Most Human Human, Sarah Ruhl’s 100 Essays I Don’t Have Time to Write, and a couple of novels I want to read this year. The latter – 100 Essays – is just a pleasure to read because it consists of really short, really fun musings on theatre. I tend to buy a lot of books and never make it past the first 80 pages, and for a long time I thought I am just not the smart book person I wanted to be. In fact, my attention span is very short when it comes to reading, but oftentimes, I also just choose the wrong ones. I had maybe two or three books last year that I read in one go, for example Mr. Penumbra’s 24-Hour Bookstore: A fantastic novel with simply the right amount of zeitgeist and magic. I bought it at The Curious Fox in Neukölln, which you should pay a visit if you’re into english books.
Das Leben rennt gerade, die Jahresmitte ist erreicht, kaum einer der guten Vorsätze wurde bisher zu allen Prozent erfüllt, und das Meiste passiert momentan außerhalb dieses Blogs. Im Büro, primär. Je einfacher Microblogging wird, desto weniger interessant wird es – ich habe eigentlich Lust auf tiefschürfende, sinnerfüllte Beiträge, weniger Fragmente. Ich bewundere Menschen, die sich dafür die Zeit nehmen. Aber das Ausbleiben der Fragmenthaftigkeit heißt nicht, dass es keine gibt. Hier sind die Geschehnisse der vergangenen Wochen:
A — Für die Arbeit, die wir bei Edenspiekermann zusammen mit dem ZEIT Magazin Online gemacht haben, habe ich eine kleine Case Study geschrieben. Die wöchentliche Magazinbeilage der ZEIT hat seit einigen mehreren Monaten einen eigenen Online-Auftritt, für dessen Gestaltung ich mitverantwortlich bin.
B — Schon länger vergangen sind die Maker Days in der Agentur. Zwei Tage, die wir komplett unseren eigenen Projekten widmeten, neue Teams zusammenwürfelten und Nützliches (und auch Unnützliches) auf die Beine stellten. Auch darüber habe ich zwei kleine Berichte (Nummer 1, Nummer 2) geschrieben.
C — Noch mehr Text entstand auf der 20. TYPO Konferenz in Berlin Ende Mai, auf der ich in einem Editorial-Team mit über 20 Mitgliedern alle Vorträge in Textform festgehalten habe. Ich schrieb unter anderem über den Künstler & Illustrator Jon Burgerman. Außerdem nicht verpassen: Die Zusammenfassung des Vortrags von Jon Gray (der grandiose Gestalter hinter den Jonathan Safran Foer Covern). und, um den Bogen zu schlagen: Sonja Knecht im Gespräch mit Christoph Amend vom ZEIT Magazin. (Gerade merke ich, dass alle Beiträge so toll sind; sie verdienen einen separaten Beitrag).
D — Und zu guter Letzt (wir bleiben beim Journalismus) freue ich mich auf das kommende Wochenende, an dem ich zusammen mit Kollegen von Edenspiekermann und Martin Kotynek von ZEIT ONLINE einen Workshop beim Reporterforum in Hamburg geben werde, in dem wir ergründen wollen, wie wir neue Erzählformate für Smartphones gestalten und enwtickeln können. Der Spaß ist ausgebucht. No pressure at all!
… Und dann, ehe man sich umsieht, ist Herbst, und auf der To-Do-Liste stehen immer noch Dinge wie »Zahnarzttermin!« oder »Kirchenaustritt!«. Hoffentlich passieren dafür wieder mehr Blogposts.